Painting & Ceramics · Belgium

Patricia
Veranneman

A Belgian artist, Patricia Veranneman works in painting and ceramics from what has already lived — an old photograph, a forgotten object, a fragment of memory — which she displaces and recomposes until it becomes something else.

Glazed stoneware Acrylic Drawing Stoneware
Hiver aux étangs d'Ixelles II
01 · Painting · Hiver aux étangs d'Ixelles II

Between memory & matter

Time is never fixed: it settles, it cracks, it transforms and begins again.

44Paintings
29Ceramics
3Techniques
Elle brûle ! Il n'y a pas de planète B
02 · Ceramic · Elle brûle ! Il n'y a pas de planète B
01 — Paintings

Galerie de peintures

Acrylic · Drawing
44 works
02 — Ceramics

Galerie de céramiques

Stoneware & glazed stoneware
29 works
Le Heaume
Le HeaumeCeramic, feather, salvaged antique window element
Exposition Den Blank — installation céramique
03 — Exhibitions

En espace public

Paintings on the walls, sculptures on their plinths — Patricia Veranneman's work has been shown in galleries and cultural venues in Belgium and abroad.

The photograph becomes painting. The fragment becomes sculpture. The material keeps the marks of its transformation.
Les quatre boules céramiques sur les pilastres de la grille
Site-specific installation

Les quatre éléments
de la céramique

Intervention in public space — Patricia's pieces converse with the building and the landscape, taking the outdoors as a natural extension of the studio.

Four glazed stoneware spheres, one for each element — Earth, Water, Air, Fire — set on the pilasters of an entrance gate.

Series · The four elements

La Terre, l'Eau,
l'Air et le Feu

Glazed stoneware
4 spheres & details
Potale abritant le bas-relief « N'ayez pas peur ! »
Jésus calme la tempête — détail du bas-relief

Wayside chapel · Jesus calms the storm, glazed stoneware · overall view and detail

Patricia Veranneman — portrait photographique
04 — About

Patricia
Veranneman

Through painting and ceramics, Patricia Veranneman explores the traces of time, fragments of memory and the transformations of matter. Her work often starts from what already exists: an old photograph, a forgotten object, a found element, a form that carries a story within it. These fragments are not reproduced — they are displaced, transformed, recomposed, until they become something else.

Her paintings sometimes begin from old photographs: family pictures, anonymous scenes, memories of which only a trace remains. Moving from photograph to painting introduces a distance. Outlines fade, details disappear; what was a precise image becomes an impression, a presence, sometimes an absence.

Ceramics take up these same questions through material and volume. Old elements, found or carrying a story, are joined to the clay and set against a new form: neither kept intact nor quite erased. The pieces then hold several times at once, between relic and creation.

Patricia Veranneman
05 — Contact

Entrer en conversation

Email patricia.veranneman@gmail.com Phone +32 478 68 31 86

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